
This is the second of two posts.
HOPE
Andy keeps hope alive through (amongst other things) guile (as we have seen), vision and persistence. Let’s begin with vision. One of the recurring questions is how released cons will fare. On the one hand, Brooks kills himself. On the other, Andy escapes to Mexico. So when Red’s turn comes, will he choose life or death? Will he end up like Brooks or like Andy? Since Andy has given Red a vision of Mexico, Red chooses the latter. The redemption of Red – and that presumably alluded to in the title – comes through this vision. Perhaps somewhat similarly, Moses envisions the people of Israel [4:29-30a] with the promise of a land brimming with milk and honey [3:17]. But as in the case of Red, this initially has little impact: “Moses reported this to the Israelites, but they did not listen to him because of their discouragement and harsh labor” [6:9]. (Further, perhaps God gives them the law in order to survive in the land. Perhaps in the same way that an institutionalized ex-con might struggle to adapt to the world outside [Stephen King, ‘Rita Hayworth and the Shawshank Redemption’ in
Stephen King, Different Seasons (London: Warner Books, 1982), 48-49, 108-109. Henceforth, ‘RHSR’], Israel would struggle to adapt to the new land without the law.) But before we explore persistence, the film famously embellishes vision and hope with beauty. Andy blasts out
The Marriage of Figaro (‘Deutino: Che soave zeffiretto’) across the prison.
RED (V.O.)
I tell you, those voices
soared.
Higher and farther than anybody in
a gray place dares to dream. It was
like some beautiful bird flapped
into our drab little cage and made
these walls dissolve away … and for
the briefest of moments – every
last man at Shawshank felt free.
[
Frank Darabont, The Shawshank Redemption: The Shooting Script (New York: Newmarket, 1996), 64 (scene 145). Henceforth
Shawshank]
His punishment is solitary confinement, about which he says.
ANDY
I had Mr Mozart to keep me company.
Hardly felt the time at all.
RED
Oh, they let you tote that record
player down there, huh? I could’a
swore they confiscated that stuff.
ANDY
(taps his heart, his head)
The music was here … and here.
That’s the one thing they can’t
confiscate, not ever. That’s the
beauty of it. Haven’t you ever felt
that way about music, Red?
RED
Played a mean harmonica as a younger
man. Lost my taste for it. Didn’t
make much sense on the inside.
ANDY
Here’s where it makes most sense.
We need it so we don’t forget.
RED
Forget?
ANDY
That there are things in this world
not carved out of gray stone. That
there’s a small place inside of us
they can never lock away, and that
place is called hope.
RED
Hope is a dangerous thing. Drive a
man insane. It’s got no place here.
Better get used to the idea.
ANDY
(softly)
Like Brooks did?
[
Shawshank, 65 (scene 150)]
The point about memory is a pertinent one. It is captured when God reveals his name to Moses.
God said to Moses, “I-AM-WHO-I-AM. Tell the People of Israel, ‘I-AM sent me to you.’
God continued with Moses: “This is what you’re to say to the Israelites: ‘GOD, the God of your fathers, the God of Abraham, the God of Isaac, and the God of Jacob sent me to you.’ This has always been my name, and this is how I will always be known [3:14-15].
The memory of Abraham connotes the promise.
I’ll make you a great nation
and bless you.
I’ll make you famous;
you’ll be a blessing.
I’ll bless those who bless you;
those who curse you I’ll curse.
All the families of the Earth
will be blessed through you.
[Genesis 12:2-3]
And God was the same then as he is now. Perhaps that is part of the force of his name – I-AM-WHO-I-AM. Nonetheless, the point is clear: Israel will be blessed and Egypt cursed. God’s word is their hope. But wherein lies Andy Dufresne’s hope? Answer: in the recurring leitmotif of geology. It comes up several times, for example: ‘Andy smiled his small, composed smile and asked … what would happen to a block of concrete if a drop of water fell on it once every year for a million years’ [‘RHSR’, 50
cf. 38, 75, 97]. By such persistence Andy obtains books for the prison library [‘RHSR’, 49-51] and tunnels his escape [‘RHSR’, 92-93]. This is accompanied by a good dose of luck: for example, he just happens to have taken classes in geology [‘RHSR’, 97], never moves cell, never has a cell mate (with one short-term exception) [‘RHSR’, 102], and is never caught tunnelling [‘RHSR’, 99-101]. Persistence and luck. Frank Darabont, director of the film, writes this.
I consider myself very lucky, but I also believe you
make your own luck by applying the elbow-grease of determination and effort, by seizing every opportunity and nurturing a persistent belief in yourself no matter
how bleak your chances seem (this philosophy lurks at the very heart of
The Shawshank Redemption, and is one of the main reasons I fell in love with King’s story) [
Shawshank, 184 (italics in original)].
Or does Andy just happen to be the right person in the right place at the right time? Either way, compare this with Moses. Moses singularly lacks belief – both belief in God and belief in himself, for example: ‘Moses raised another objection to GOD: “Master, please, I don’t talk well. I’ve never been good with words, neither before nor after you spoke to me. I stutter and stammer’ [4:10]. God suggests that his lack of self-belief follows from his lack of God-belief [4:11]. Intriguingly, and later on, Moses is neither stuttering nor stammering but fuming at pharaoh. ‘Moses, seething with anger, left Pharaoh’ [11:8]. The signs that God performs seem to strengthen Moses’ belief in God’s promises, and therefore his self-belief.
CONCLUSION
In sum, whereas hope comes “from below” in RHSR (symbolized by geology), hope breaks in “from above” for Israel. One is “lottery” hope, the other biblical hope. These need not be mutually exclusive for what breaks in “from above” can work through what lies below. But the converse does not hold. RHSR represents a reductionist, truncated view of biblical hope – one that depends on geology, luck, and the persistence of time.